By ‘technology’, we mean the global and the domestic technological means that mediate A – V content – everything from infrastructure (e.g. bandwidth) to the size of the household screens.
Categories: Access, Consumers, Content, Drivers, Funding, General, Open Access, People, Q4: Riding the Tiger, Technology, The Matrix, Uncontrolled Content
Date:
July 2009
Where are the Arts in the Future of Australian Television?
Categories: Content as A/V Experience, Drivers, Environment, Funding, General, Governance, Interviews, People, Technology
Date:
8 August 2008
Compiled according to the major drivers; people, content, funding, governance, technology. Notes for each individual interviewee are also available.
(Numbers in brackets denote a respondent)
(1)
First, a brief history of previous occasions in which the Film and TV industry has proclaimed the imminent end of the world, as we know it!
Categories: Content as A/V Experience, Conversation, Drivers, Environment, Funding, General, Governance, People, Technology, The Matrix
Date:
28 July 2008
PARTICIPATION here and in matrices relating to each of the key drivers is the extent to which someone watching television content can do more than just watch it: Participation could also be the extent to which viewsers allow information to be collected about them for interactive advertising or content suggestions.
Participation is about the extent to which people participate in …(continue reading)
Categories: Content as A/V Experience, Drivers, Funding, General, Governance, Interviews, Technology
Date:
July 2008
Shannon O’Neill is a media artist, academic and curator. He was inaugural director of Electrofringe and now organises the Sydney leg of Liquid Architecture contributing much to the development of genuinely new sound and music in Australia. For the last 15 years he has explored and expanded the possibilities of radio broadcasting, first on community radio and later for 2MBS-FM. …(continue reading)
Categories: Content as A/V Experience, Drivers, Funding, General, Governance, Interviews, Technology
Date:
July 2008
Chris Caines works at the intersection of cinematic practices & transformational new technologies with an interest in what these hybrids can add to the art of storytelling. He’s worked in short film & post-production and in recent years has been producing site specific fiction & documentary projects utilising mobile phones and other forms of location aware media. He is a …(continue reading)
Categories: Content as A/V Experience, Drivers, Funding, Governance, Interviews, People, Support Material, Technology, Thematic Interview Notes
Date:
26 June 2008
Categories: Content as A/V Experience, Drivers, Governance, Interviews, People, Support Material, Technology, Thematic Interview Notes
Date:
28 May 2008
Categories: Content as A/V Experience, Drivers, Funding, Governance, Interviews, People, Support Material, Technology, Thematic Interview Notes
Date:
28 May 2008
No real surprises, perhaps slowness of IPTV to take off
Categories: Content as A/V Experience, Drivers, Funding, People, Technology
Date:
27 May 2008
Media portability; wireless expectations; “snacking” versus sustainable content; shifts in free trade, globalisation, local and protected markets; revisions to the relationship/funding structures between the free to airs and the independent production sector; “sharing the risk”.
Categories: Content as A/V Experience, Drivers, Funding, Governance, People, Technology
Date:
19 May 2008